Tuesday, April 30, 2019

The Shaolin Afronauts - End Of a Sun


The Shaolin Afronauts

End Of a Sun

from the lp Quest Under Capricorn



David Lynch’s MasterClass Is As Surreal and As Banal As You’d Expect


When you hit play, Lynch gazes out at you. Well, not actually at you—most of the time he’s looking directly above the camera, presumably at an interviewer, or at the space up and to the left that people look to when they’re trying to remember something. He sits at a desk, either caressing a rarely used sketch pad or watching a scene from one of his movies. His fingers flutter like they’re ears of wheat being harassed by a breeze when he’s talking about something delicate, and when he mentions ideas, his hands wave like he’s asking an invisible orchestra for vibrato. At times, he scrunches his eyes tight, extra tight, particularly when talking about tension or negativity. He smokes cigarette after cigarette, and you can hear the effects of a lifetime of chain-smoking on his breath—the low wheeze as he inhales is at least as scary as anything in his movies.


The Barbie Liberation Organization


The Barbie Liberation Organization

short film by Meryn Cadell (1994)

Sunday, April 28, 2019

Nigeria’s Ogu Omunwanyi: The Aba Women’s War of 1929


      During the 1920’s, trouble began to stir in southeastern Nigeria. British colonialists had begun to encroach on what they thought of as the “dark heart of Africa”. The region was primarily populated by tribal Igbo people, though members of several other tribes also called that land home. They lived according to their own laws, customs, politics and economic structures. This way of life was so different from what the English people knew that they could not make any sense out of it. Their attempt to dominate the Nigerian people for their own economic gains led to chaos and soon the Women’s War had begun.
     Upon arrival, the British colonialists began building houses, factories, courthouses, and colonial administrative offices. The Igbo people also had their own traditional versions of houses, courts, and tribal meeting places. At first they were not bothered by the presence of the new people. But by 1925, the British had chosen a team of men to act as the puppet government for the colonialists and begun employing the local people as factory and farm workers.
     In 1927, the British thought that their industries and businesses were not running efficiently enough; they blamed the Igbo for this shortcoming even though a worldwide economic depression had reduced the need for palm oil, the biggest export industry in Nigeria. They decided that Nigerian society was too disorganized to serve the needs of the modernized colonialists. Frustrations among the Igbo people had been growing because the wages paid by the colonialists kept shrinking while the prices of food kept rising. Hyperinflation set in and the currency began dropping rapidly in value. No matter what the Nigerians did, the British had an insatiable appetite for cash and kept increasing the amount of money they sucked out of the local population. Some of the African people were even being forced to work without pay. In 1928, the British declared that they would be raising taxes but in exchange more schools would be built and the roads would be repaired. The Igbo women who frequented the market at Aba, along with women from six other nearby tribal villages, began to show signs of anger.
     The colonial administrators made a plan to collect taxes by taking a census of the local population. English officials and sometimes members of the Igbo puppet government went to each house to count the number of possessions owned by each family unit. They counted each piece of clothing, every door and window, each farm animal, every tool, every dish, and whatever else they could find in order to declare them taxable items. The worst part of it was that each woman was counted as a piece of property, especially since the locals practiced polygamy and the husband of more than one wife should be able to afford to pay higher taxes. This made the Nigerian women furious. Traditionally the tribal people of that region allowed women to be part of the economic decision making in each village and then the colonialists objectified them by reducing their value and status to that of windows, spoons, and goats. In addition to that insult, the British never came through on their promise to use the tax money to improve the schools and roads.
     By November of that year, the women of the region began gathering on the road leading from Abasi Township to the market at Aba to protest. The demonstrations were peaceful but passionate with chanting, singing, dancing, and beating on drums. Some women dressed in ritual clothing and some wore dresses made from palm leaves; some women stripped off their clothing and danced nude, an Igbo tradition that represented defiance, aggression, and sometimes the potential for violence. Some of the women went off in groups to “sit on” the men running the colonial administration. “Sitting on” a man was a traditional term that meant surrounding a man in his property, getting very close to him, shouting at him, insulting him, and verbally humiliating him. This practice was a customary way of publicly shaming men who had violated social norms of decency. The Igbo men would never go to the defense of a man being sat on because they knew he had done something to deserve it. Besides, they also knew that no physical violence would take place and, as annoying as it could be, at the end of the day when the sitting on was over, everyone would return to their ordinary way of life.
     The British colonialists, however, had little knowledge of southeastern Nigerian social customs. They thought the women had become crazy, hysterical, and completely out of control. Meanwhile, news of the protests spread rapidly through the surrounding provinces. Women began cutting telegraph wires while others went on a rampage destroying factories, looting stores and banks, burning administration buildings and destroying whatever British property they could find. Extra police and peacekeeping troops were called in but they did not have enough manpower to put down the riots. A British doctor became so scared and agitated that he got in his car and ran over two women. The crowd of frenzied, rioting women began to swell through December and after the murders they decided to start attacking the soldiers. The officers started shooting them and soon more than 1,500 women had been slaughtered. The rioters calmed down and the British retaliated by burning down several villages nearby.
     By the end of the year, the British government was embarrassed. They recalled all the Nigerian colonial administrators from the region and replaced them with new men. Meetings were held with the leaders of the Women’s War and a new political system was established, one that allowed women to both voice their grievances and have a say in governmental matters.
     Some would later say that the outcome of the Aba Women’s War of 1929 was beneficial because it brought attention to the chauvinism and sexism inherent in the colonial mentality. Some would also question the concept of “civilization” itself. After all, the British colonialists were never invited to southeastern Nigeria, their taxation was humiliating, and still they saw themselves as being the ones who were responsible for teaching the “primitive” African people how to be modern. But the so-called “primitive” people had planned to bother and harass the British and destroy their property but never to hurt or kill them. In the end, it was the “civilized” British who committed mass murder in response.  

 Reference
Vollmann, William T., Rising Up and Rising Down: Some Thoughts on Violence, Freedom, and Urgent Means. Ecco Press, 2003.

Minimal Man - Shower Sequence


Minimal Man

Shower Sequence

David Lynch - Star Dream Girl


David Lynch

Star Dream Girl

from the lp  The Big Dream

The Frogs - (Thank God I Died In) the Car Crash


The Frogs

(Thank God I Died In) the Car Crash

from the lp It's Only Right and Natural

Kramer - I Got What I Deserved


Kramer

I Got What I Deserved

from the lp The Guilt Trip

Saturday, April 27, 2019

Emptyset - Collapse


Emptyset

Collapse

Organism


Organism

short documentary film by Hilary Harris (1975)

Death Sentence: Panda! - Island of Sexual Violence


Death Sentence: Panda!

Island of Sexual Violence

live in Oakland 2007





Frank Zappa - Filthy Habits


Frank Zappa

Filthy Habits

from the lp Sleep Dirt

Sound by the Pound: Surprising Discovery Hints Sonic Waves Carry Mass


Some sounds might possess a tiny but measurable amount of negative gravitational mass


Yantra


Yantra

short experimental film by James Whitney (1957)

Friday, April 26, 2019

Moon 1969


Moon 1969

short experimental film by Scott Bartlett (1969)

Off On


Off On

short experimental film by Scott Bartlett (1968)

Contortions - Bedroom Athlete


Contortions

Bedroom Athlete

from the lp Buy




from Off On by Scott Bartlett

James White and the Blacks - Contort Yourself (August Darnell Remix)


James White and the Blacks

Contort Yourself (August Darnell Remix)

History of Sound Effects


Before machines, the first iteration of sound effects were created manually using fruit, glass, and other objects.



Wednesday, April 24, 2019

Cult of Rage



Cult of Rage

2 part news report on Missing Foundation (1988)




The True Case of Max Cantor: Monika's Ghost



Max's saga originated when the dancer, a Swiss native named Monika Beerle, made the mistake of bedding down with a 28-year-old screwball named Daniel Rakowitz in his East Ninth Street apartment.  Then, after she succeeded in getting her own name on the lease, she compounded her mistake by trying to kick this sickoid out of his pad and out of her life.  This was in August of 1989 and Rakowitz took great offense, to say the least.  A mental case who already had served four hitches in psycho wards, Rakowitz believed himself some kind of supernatural divinity and---abracadabra!---Monika ended up in the human food chain.  Rakowitz is now day-dreaming about receiving an early release from the loony bin after a jury found him too nutty to be squirreled away in the clink.  The jury kept voting 11 to 1 to send Rakowitz up the river for from 25 years to life, but the lone holdout on the panel was an unemployed member who wanted to keep the jury deadlocked for as long as possible because he needed the $15 that jurors got paid every day.


Tuesday, April 23, 2019

Sunday, April 21, 2019

Severino di Giovanni: Anarchist Bombs and Anti-fascism


     The time period between World War I and World War II saw the rise of anarchism and fascism, two of the modern era’s most dangerous political movements. Italy was one of Europe’s hotbeds for radical extremism and as migrants went abroad in search of work and to escape poverty, they brought these ideologies with them. Argentina became one place where the two philosophies clashed with the anarchist Severino di Giovanni on the advanced guard, instigating the violence.
     Born in Abruzzi to an impoverished family, Severino di Giovanni later claimed that the constant hunger pangs and fear of starvation would be the primary motivation for his interest in anarchist revolutionary politics. Anarchists of that time believed all people were naturally equal and blamed the mechanisms of government, economics, and private property for the social disequilibrium that resulted in some people having so much food they could never possibly ear it all while others were condemned to a life of scarcity, malnutrition, and the soul-destroying search for adequate means of survival. Therefore, a world without government would be a world of equality and peace. After growing up so poor, Giovanni emigrated to Buenos Aires, got involved in trade unionism, and embraced the convulsively liberating theory of anarchist violence.
     Fascism was also on the rise in Argentina and many Italian fascists had also emigrated to that Latin American country. Upon his arrival, di Giovanni immediately began attending meetings with anarchist groups who planned to fight against the fascists who believed in enslaving the masses of industrial workers for their own capitalistic gain. In 1925, the fascists of Argentina held a public celebration in honor of the Italian king Victor Emmanuel III’s accession to the throne. Many prominent politicians and public figures from both Argentina and Italy were present along with a cadre of Black Shirt thugs, present to maintain order in the crowd. When the orchestra began playing the Italian national anthem, Severino di Giovanni and his companions began throwing anti-fascist leaflets in the air and shouting “Assassins! Thieves!” The Black Shirts beat them up and sent them on their way.
     That same year, the trial of Sacco and Vanzetti took place in America. The two factory-working anarchists were accused of detonating a bomb that killed several people. The prosecution’s case rested on the fact that the two men had been caught with Italian language anarchist newspapers. The lawyer also argued that their Italian ancestry proved their guilt since, in the eyes of many Americans at that time when anti-immigration sentiment was at fever pitch, Italians were fundamentally incapable of civilized behavior. The judge was also well-known for having extreme anti-immigrant views. The defense claimed that the newspapers were planted by the police but the judge refused to allow that claim to be admitted as evidence and abruptly ended the trial. The jury found Sacco and Vanzetti guilty and sentenced them to death. A mistrial was declared but the judge refused to reopen the case, citing his dislike of Italian people as the cause. Eventually, Sacco and Vanzetti were executed. The case has since been seen as an example of American racism, xenophobia, and an unhealthy fear of immigrants. In the trade union and anarchist movement, it was seen as a rallying cry for revolution.
     Severino di Giovanni had started his own newspaper called Culmine. It was a left wing political paper dedicated to labor issues; he quickly took up the cause of Sacco and Vanzetti and furiously published a storm of articles denouncing the injustice of the trial. Many of those articles made their way to newspapers in America. Di Giovanni was deeply impressed with the Galleanist idea of “propaganda of the deed”, a term signifying the use of public political actions to serve as an example for inspiring further political action. Severino di Giovanni had decided to take action.
     The campaign started with a bombing of the U.S. embassy in Buenos Aires; the front of the building was demolished. The Argentinian police sought help from the fascists in the Italian embassy who captured di Giovanni, imprisoned him for five days, then released hum after torturing him the entire time. Di Giovanni and two of his friends then blew up a statue of George Washington and, later in the same day, set off a bomb at the office of the Ford Motor Company. The next day they blew up the house belonging to the Buenos Aires chief of police; he just barely escaped being killed because, without any knowledge of the impending attack, he had left his home and walked down the street to buy a pack of cigarettes. No doubt, ling cancer must have later accomplished the task that the bomb had failed to do.
     Di Giovanni’s bombings continued into 1927 and 1928. The next targets were an American owned tobacco warehouse and branches of two American banks, Then di Giovanni and his two friends, the Scarfo brothers, killed a whole bunch of fascists when they bombed the Italian embassy; it was the deadliest terrorist attack in Argentinian history.
     Severino di Giovanni’s propaganda of the deed turned out to have a polarizing effect. Some anarchists and unionists began accusing him of making their movements look reckless and evil. Others fell in love with his campaign of terror. Fighting broke out between the two sides until the publisher of an anarchist newspaper got assassinated. Some blamed di Giovanni for the murder but evidence seemed to point to other members of the anarchist community. Di Giovanni decided to end his bombings in order to make peace between the fighting workers.
     In 1930, a military coup overthrew the government of Argentina. Severino di Giovanni married and settled down but eventually left his wife for a fifteen year old Italian immigrant named Fina, the sister of his two best friends, the Scarfo brothers. The couple went into hiding and di Giovanni found employment at a printing press. The police found out where he was working and raided the shop. The attempted arrest resulted in a gunfight; one officer died and the other got injured. Di Giovanni escaped. On a later date when di Giovanni was with Fina, the Scarfo brothers, and several other friends, the police again showed up and a firefight broke out. Di Giovanni was captured and Fina was arrested then set free because of her age.
     Severino di Giovanni was executed by firing squad in 1931. He shouted “long live anarchy”, in Italian of course, before eight bullets pierced his body. His wife was shot a few hours later. The fascists eventually lost World War II. Both anarchism and fascism fizzled out and faded away as capitalism and communism took over. Those two sleeping dogs were not left to lie. Both anarchism and fascism began to re-emege as political ideologies starting in the 1960s. Without any chance of ever becoming a functioning political system, both still have an enormous potential to inspire destructive and murderous violence.

Vollman, William T., Rising Up and Rising Down: Some Thoughts on Violence, Freedom, and Urgent Means. Ecco, 2003. 

A Scrap Metal Colossus: Helios Creed Of Chrome Interviewed


Spawned unto the world in 1976 like a mutant beast from an unearthly morass of twisted steel on a splatter movie, San Franciscans freaks Chrome have loomed large ever since as a triumph for murky noise alchemy – borne of technology gone wrong, and thriving in a blizzard of information overload. Forced to lurk in the shadows of relative obscurity for the vast majority of the last four decades, the fevered brainchild of twin ne'er-do-wells Helios Creed and Damon Edge, in the band's most celebrated incarnation, created post-apocalyptic junkyard chic still unmatched for outtasight dementia and Stoogian/Stygian bliss well into the twenty-first century. Somehow a band beyond both punk and psychedelia, their twisted racket came closest to the sound of Martians attempting to reinterpret earthling rock music with a load of old washing machine parts, home-made effects pedals and a copy of the Fill Your Head With Rock compilation on scratched vinyl, played backwards


The Gun Club - Fire Spirit


The Gun Club

Fire Spirit

live in 1983

Friday, April 19, 2019

William S. Burroughs on L. Ron Hubbard and “The Big Lie”

William S. Burroughs on L. Ron Hubbard and “The Big Lie

“I would like to say something about the techniques of “The Big Lie”. L. Ron Hubbard was a master of The Big Lie. He had all these rules…

• Always accuse others of doing what you are doing yourself…

…Now here’s some techniques for cutting off other’s communication lines…

• Premature Acknowledgment

Acknowledge before the other person has come to a point.

Laugh before he finishes a joke

• Under Acknowledgement:

Like you just couldn’t have said anything so stupid and distasteful.

•Over Acknowledgement:

Like there’s nothing more to say on the subject.

• Pretend to not understand the most obvious considerations.

•At crucial moments, create interruptions and diversions.

• Pick out the most meticulous, neat, and fastidious person in the office and call him a slob.

…You see it’s not the truth that hurts, it’s the blatant lie…The Big Lie…

The person will start snorting and gasping with outrage, and this is precisely what you want to achieve…”

- From Uncle Bill’s lecture, “The Technology of Wishing”




The library of the future is in an 80-year-old converted train shed


At LocHal, you can learn new food skills, read books, or hold events inside a massive retired locomotive storage warehouse.



Saturday, April 13, 2019