Shrine Circus: A History Of the Mystic Shriners Yankee Circus in Egypt
by John H. McConnell
There’s no
business like show business, they say, and the circus business is no
exception. If you are interested in the business side of the circus
then John McConnell’s Shrine Circus: A History Of the Mystic
Shriners Yankee Circus in Egypt is
the book for you. It is written from a management angle so if you
want to read about circus performers and circus performances, you
probably should look for another book.
Shrine
Circus starts out by explaining
who the Ancient Arabic Order Of the Nobles
Of the Mystic Shrine, otherwise known as Shriners, are and how they
began after the Civil War. They are that fraternal order of
businessmen who wear red fezzes and drive tiny cars in parades. They
formed as an appendage to the Freemasons but developed a reputation
for being a bunch of drunks with a penchant for mischief and
disorder. To counter their unsavory public image, they engaged in a
campaign of philanthropy that involved running free hospitals for
physically disabled children. Contrary to popular belief, the Shrine
Circus was not started to raise funds for their charity but to pay
the expenses necessary for financing
the fledgling secret society. The
chapter outlining the history of the Shriners also goes into a long,
unnecessary
sidetrack about the history of Freemasons and the
Knights Templar. This section
should have been left out of this book.
The
most interesting chapter gives the history of the circus from its
start in ancient Rome to its modern origins in Europe, its spread to
America and its rise to prominence in the
19th
century.
The circus of P.T. Barnum merged with the rival Bailey circus and the
two eventually merged with another rival run by the Ringling Brothers
thereby forming the now famous, and now defunct, Ringling Brothers
and Barnum & Bailey Circus. Throughout the warmer months of the
year, they were one of many circuses that traveled around America by
rail; their performances were given in tents alongside carnivals on
rural fairgrounds. During the winter months, the performers and
carnies were unemployed. Enter the Shriners whose major contribution
to circus history was starting the winter circus. The Shriner’s
Moslem Temple in Detroit began holding
a yearly production
in an indoor arena,
hiring off-season performers to do
their shows. The idea was a hit and other Shrine Temples around the
USA began doing the same.
McConnell’s
narrative is broken into several sections. Each era of the Shrine
Circus timeline is demarcated by who produced the shows. Al Dobritch
was the most innovative and spectacular producer; his career went
downhill as he became more and more coarse in his behavior and ended
up extorting money from strippers in Las Vegas before falling
to his death from a hotel window.
The other producers tended to be unimaginative and mediocre in
comparison; businessmen tend
to have a conservative outlook by nature and their lack of creativity
did not do the Shriners much artistic or financial good in the long
run.
Accounts
of the Shrine Circus from the performance point of view probably
takes up less than half the book. The rest is all about management.
There is more information about advertising, telemarketing,
accounting, labor union
disputes, and committee formation than you might care to imagine.
Financial mismanagement and internal power squabbling have proven to
be endemic drawbacks. Circus management teams have even had a long
history of disagreements with the Shriners themselves and at times
the story reads like a bunch of grand poobahs
bickering over which grand poobah is the grandest of all grand
poobahs. If you take all references to the Shriners and their circus
out of this book, it would read like a generic tale
of any ordinary corporation.
John
McConnell’s
Shrine Circus is not a
well-written book. It is loaded with bizarre spelling and grammatical
errors; sentence structures are awkward and information is
unnecessarily repetitive. There
is no overall sense of how a book should be put together. The
author could
have invested in a better editor and proofreader. Although it is
well-researched, it is written without any regard for what a reader
interested in circuses might actually want to know. It appears to be
the work of a retired businessman who finally got around to writing
the book he had always dreamed of writing. McConnell
probably thought of himself as a great writer the way Donald Trump
thinks of himself as a Valentino; it would be no use in telling him
he is wrong since he probably wouldn’t listen anyway.
Overall,
Shrine Circus is a
mediocre history book that would have benefited from more awareness
of what an audience might want. Maybe
that is also a reflection of the Shrine Circus’s trajectory as
well. The bits about the
performers are interesting and it does present a good historical
perspective. It simply does not have enough of that type of content
to make it a great book. It
is the aesthetic equivalent of watching the greatest circus in the
world on a tiny black and white television screen mounted on a desk
in an office cubicle while trying to do paperwork.
McConnell,
John H. Shrine Circus: A History Of the Mystic Shriners
Yankee Circus in Egypt. Astley&
Ricketts, Detroit: 1998.